Avengers: Endgame (SPOILER FREE) review (2019)

‘The most ambitious crossover in cinema history.’ Well, they’re not wrong.

It’s frankly impossible to talk about Avengers Endgame without the eleven years of context across 22, now 23 movies. For years, Kevin Feige and co have been giving comic book fans everywhere a loving interpretation of the heroes they love, on the big screen. While Infinity War broke new ground last year, the final hour of Endgame is a Marvel comics fan’s wet dream. Fan service is everywhere, and what is put to screen (trying to be vague here), is truly, a marvel.

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It’s very difficult to discuss this film without giving anything away, due to the clever marketing that revealed so little. What I can say, is that it sticks the landing. Plot threads from almost every prior film are wrapped up in a way that is both emotionally resonant, and somehow entirely satisfying. That said, there is the odd writing choice. Certain characters are vastly different than they were in Infinity War, and not all of these changes work, in my humble opinion.

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The pacing is also a bit more sluggish than it was in Infinity War. While never boring, it doesn’t move quite as quickly, though the character development that is given focus is arguably worth it. Alan Silvestri’s score continues to amaze, with some lovely leitmotif callbacks to several Marvel movies: something the studio doesn’t usually excel at.

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Overall, Avengers Endgame delivers on its own hype. Directors the Russo Brothers have crafted an ending that is not only wholly satisfying in filmmaking terms, but also gives the loyal fans almost exactly what they want. It’s not as tight as Infinity War, but it has just as much heart. The last third alone make it a milestone in superhero history, and the final battle is one of the most jaw dropping scenes in movie history. Short answer: go and see it.

★★★★★

 

 

Ranking the MCU movies (November 2018)

Last time I did a big spiel here about the influence these movies have had on cinema, blockbusters, the way film universes are created blah blah blah. We just want to get to the ranking, right? So let’s get to it. Here’s March 2018 if you missed it.

20. Thor: The Dark World (2013)

Easily the weakest; incredibly dull and forgettable with the worst villain in the MCU (and that’s saying something!) Most people forget it exists and to be honest, I can’t blame most people. It adds nothing to the overall Infinity War storyline and doesn’t even work as its own movie so my advice is to skip it. More like ‘Thor: The Dark BORE’ am I right? Am I right? Sorry.

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19. The Incredible Hulk (2008)

A Mark Ruffalo-less Hulk film that was pretty standard for the representation of Hulk in film at the time- ie he is ‘big, dumb, green and runs away from tanks.’ Its run of the mill and doesn’t try anything hugely interesting, but it isn’t awful. Fairly decent villain, dull love interest and I’m not a huge fan of Edward Norton in this role. Again, pretty forgettable.

18. Iron Man 2 (2010)

This tends to be most people’s least favourite. It introduces War Machine which is cool, but suffers from terrible pacing and a seriously underdeveloped and under utilised villain. Consistent solid performances from the leads and the introduction of Black Widow to the MCU, push this one just slightly above the other two for me.

17. Thor (2011)

It was early days and these films were trying to find their feet, so I cut most of the phase one films some slack. Thor isn’t bad at all- the casting is spot on and the direction and depiction of Asgard is stunning. It also introduced us to the second best MCU villain, so props for that. Alas, it’s been eclipsed by a far, far greater sequel. No, not ‘The Dark Bore’, we’ll get to Ragnarok later…

16. Captain America: The First Avenger (2011)

Another film trying to find its feet and suffering by having to establish so much in one solo movie: Howard Stark, the Tesseract, Cap himself, Bucky, Peggy Carter, Red Skull, Vibranium, the list goes on. The point is, there’s a lot going on here that the film needs to juggle. To its credit, it does it pretty well but again, becomes largely eclipsed by two stunning sequels that just do everything better.

15. Dr Strange (2016)

I’m sure having this one this high up the list will be controversial. Don’t get me wrong, I liked this movie a lot, I just didn’t love it. Cumberbatch is a great Dr. Strange, but the villain is the weakest since Thor: The Dark World. Casting Mads Mikkelsen, one of the finest actors going as the villain and then writing a character so two dimensional he’s practically flat is unforgivable. For shame, Marvel.

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14. Ant Man and The Wasp (2018)

This pint sized flick had the insane challenge of following Infinity War and unfortunately, came across pretty mediocre as a result. I still love the casting of Hank, Scott and Hope and the size changing gimmicks are fun, but it just feels a little safe compared to the other more recent additions. The villain has no excuse to be this bland following Killmonger, The Grandmaster and Thanos showing that Marvel can actually make compelling villains. Watch the last five minutes on Youtube, otherwise skip it.

13. Avengers: Age of Ultron (2015)

Ah, the sequel that could just never live up to the hype. After The Avengers stunned audiences, Joss Whedon was under immense pressure to capture that same magic again. Alas, the result is more so-so than the original, but still a great blockbuster. The decision to make Ultron a more comedic presence is rather puzzling, but the voice acting chops of James Spader redeem it. The stunning team dynamic pulls this one forward for me, with the banter and chemistry between many now well established characters driving some of the more excellent scenes.

12. Ant Man (2015)

This used to be higher on my list, but sadly following a re watch, hasn’t aged too well. Still, it’s a fun ride despite being more than a little generic and Ant Man sets achieves more than it fails. It establishes a key cast of characters and makes them likeable and memorable from the get go. It provides a new genre for the MCU to take on with a heist premise and it uses the gimmick of the film (things getting smaller or bigger) in amusing and creative ways. All in all, its a pretty awesome flick. Oh, but the villain sucks. SHOCKER. Speaking of ‘The Shocker’…

11. Iron Man (2008)

The one that started it all, propelling both Robert Downey Jr and Tony Stark out of the depths of obscurity and into household names. Iron Man is still a solid movie with great pacing, excellent casting and a brilliant retelling of what could easily be a pretty clunky origin story. The standard of weak Marvel villains to come is somewhat set by Obadiah Stane, but as the first film in the series and an origin movie, that can be overlooked simply because the rest of the film is still so tight.

10. Spiderman: Homecoming (2017)

Another one that people seemed to love that I found just ok. I like Tom Holland in the role and loved Michael Keaton as The Vulture, but the rest of the film kind of dragged for me. Some great action scenes and a cool ‘breakfast club comedy’ kind of vibe aside, this one has grown on me over time. I didn’t fall in love with it straight away, but now appreciate the lighter tone, compelling villain and an actually young Spiderman. I dig this waaaaay more than the Amazing series travesty, but give me the original Sam Raimi trilogy any day. It’s all about Maguire, people.

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9. Guardians of the Galaxy (2014)

This was the turning point for Marvel: a risk that other studios would’ve never taken in a million years, no matter how successful their films were. But Kevin knew better and produced, alongside director James Gunn, one of the most fun films we’ve seen from the studio yet, whilst simultaneously expanding the universe quite literally into the stars. The spot on casting of the team, the seamlessly integrated retro soundtrack and the consistent tone make this film a favourite of mine. Can you guess the weak link? It starts with a v and ends with an -illain.

8. Iron Man 3 (2013)

I LOVE IRON MAN 3 AND I WILL NOT APOLOGISE. I know a lot of people hate this one and I used to be one of you people. But guys, it’s actually just plain fun. It doesn’t take itself too seriously, has great comic book action, a strong cast, and feels like its own story, rather than a retread.  Not to mention excellent character development for Tony Stark that makes sense in a post-‘Avengers’ world and a really upbeat and memorable score, which is more than most MCU movies can claim. Putting aside the weak pull of the rug twist and an even weaker villain, it’s a really great time. And who can forget the Christmas setting and Dora the Explorer watch? Come on. Those are some banging writing choices.

7. Captain America: Civil War (2016)

Essentially ‘Avengers 2.5’, Civil War takes its namesake and basic gist from the widely successful comic book of the same name. Obviously the only thing it really takes is the concept of ‘Team Cap’ and ‘Team Iron Man’ as the conflict is based on events from previous movies rather than secret identities. The juggling of characters is insanely well handled and the film does a good job in making both sides of the argument compelling to really illustrate the tragedy by the time you get to the final fight. The movie handles previous continuity of The Winter Soldier perfectly and introduces new fan favourite Black Panther nicely. It also marks the triumphant return of Spiderman to the MCU, with perhaps the best casting for the wall crawler ever in actually teenaged, Tom Holland.

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6. Black Panther (2018)

There isn’t much to say that hasn’t already said as the box office and critical reception has been insane. The use of a mainly black cast is so appropriate and such a big step forward for Hollywood that Black Panther gains props outside of the movie as much as it does with its excellent content. The film itself owes a lot to the James Bond series and again tackles an expanding world for Marvel by introducing us formally to Wakanda. It also contains the second greatest MCU villain we’ve seen yet, perfectly captured in the angry and determined weight of Michael B Jordan’s stunning performance.

5. Captain America: The Winter Soldier (2014)

If Ant Man is a heist movie, then The Winter Soldier is a 70s spy flick. Everyone was blown away that a movie about Captain America, the boy-scout of the Avengers could be this good. Sebastian Stan brings a terrific performance as the titular Winter Soldier, being genuinely intimidating at times as well as sympathetic. Robert Redford also makes for a great un super powered antagonist. Throw in Nick Fury, Black Widow and sadly lame newcomer, Falcon and you’ve got one of the slickest solo movies we’ve seen yet.

4. The Avengers (2012)

The first culmination of the MCU also remains the tightest team up so far. Despite a fairly generic plot, the juggling of characters, organic relationships and excellent antagonist make this one of the best and most exciting adventures the studio has put out yet. It laid the groundwork for every film to come since and has become the gold standard for how to combine your solo films into one truly epic team up. Justice League take note. It also ties in nicely to the Infinity War storyline, giving us our first glimpse of Thanos in the end credits, even if 90% of the audience at the time had no idea who he was, its still hype as hell.

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3. Thor Ragnarok (2017)

The biggest surprise on the list yet, Thor: Ragnarok can only be described as a breath of fresh air. After a pretty good origin movie followed by the dullest MCU movie yet, Thor needed a big break. Thank Odin, he got one, with this weird comedy/buddy cop/road trip/gladiator/space opera epic. Completely flipping our perceptions of these characters on their head, director Taika Waititi showed us the first glimpse that the MCU would need to adapt and evolve in order to stay fresh and exciting, not being able to just repeat the same movie every time. Taking more from Planet Hulk than the actual Ragnarok storyline, the inclusion of fan favourite Hulk, also made this particularly special. Throw in Loki, the amazingly camp and hilarious Grandmaster and a semi-good villain in Cate Blanchett’s Hela and you have one ‘Hela’ fun ride. See what I did there?

2. Guardians of the Galaxy vol. 2 (2017)

Damn, 2017 was a good year for the MCU. There is no denying that this is a stunning sequel. It manages to capture the spirit of the first film without feeling like a retread. It moves the story forward and further develops every single one of the team. Rocket and Star Lord must overcome their ego (little Marvel joke for you there), Gamora must settle differences with adopted sister Nebula, Drax befriends a new alien and Groot is reborn as a tiny baby twig. The show stealers are the two ‘fathers’ of Peter Quill though; EGO, the living planet who gets third place in the MCU villain rankings and Yondu, a previously one note character who provides one of the few tearjerkers in the series. Add to that another stunning retro soundtrack and some epic visuals, with a slightly darker, Empire Strikes Back esque tone and you have, in my opinion, the finest film that the MCU has produced to date. OR, I would’ve said that, bar one little thing…

1. Avengers: Infinity War (2018)

You know it is. Almost unanimously hailed as the finest entry in the series, the Russo Brothers did the impossible, combining a cast of over twenty characters into one engaging film that is completely compelling. Everyone has at least a moment to shine (even Falcon, who everyone hates) and unbelievably very few characters are missing. It has the bleakest tone yet, but somehow still manages to seem fun, memorable and enjoyable. The ending is one of the most daring moves ever taken, even if it’ll almost certainly be completely undone. And Thanos, oh Thanos. Josh Brolin is simply perfect and is by far the most compelling MCU villain yet. I even forget that he’s CGI sometimes as the rendering is so lifelike, which is such a rarity in itself. All in all, this is it. The tenth anniversary of the MCU could not have been more perfect. Now let’s see if it can be topped in 2019…

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Thor: Ragnarok (2017) review

A pretty common criticism of phase one of the MCU (Marvel Cinematic Universe for all you casuals) was that formulaic nature of each of the films. As they were all origin stories, it was a clear pattern: hero discovers/gains their power, love interest, friend who turns into an evil variation of the hero defeated, cue post credits Sam Jackson foreshadowing the hell out of the future team up; Boom, done. If there is anything that ‘Thor Ragnarok’ isn’t, it’s being bound by the common tropes of existing Marvel films. The third instalment of the ‘Thor’ franchises is so far removed from its decent first instalment and bland sequel, that it almost seems like a different IP altogether.

   In many ways, things are familiar; the core cast of characters has many familiar faces, with the addition of a one or two new ones including Cate Blanchett’s wonderfully hammy Goddess of death, Hera. It’s no secret that Mark Ruffalo returns as Bruce Banner also returning are Thor’s brother and father, Loki and Odin, played by British national treasures Tom Hiddleston and Anthony Hopkins respectively. However, the names of these characters are where the similarities with previous films end. Every single character here seems like a weird, alternate reality version of themselves. It’s not necessarily a bad thing, it’s just an odd choice. Chris Hemsworth’s Thor for example is now silly, arrogant and partial cracking one liners, killing tension at the drop of a hammer. Bruce Banner, one of Marvel’s most tragic, complex and tortured characters is now a jittery, spaced out oddball more reminiscent of Jesse Eisenberg’s Lex Luthor from that terrible DC film we don’t talk about. I suppose the argument can be made that he’s shock and prolonged Hulk transformation have this effect, but the script seems to turn the two leads into a petty, arguing married couple rather than allow for the weight that a story like ‘Ragnarok’ should bring.

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   However, if there’s one thing that director Taika Waititi excels at, its pace. The film is nonstop excitement, which is often, it must be said, at the expense of the plot. While certainly not dull, the story being told here is quite frankly, a mess. The inclusion of the Hulk is welcome and there are certainly some excellent elements, but the lean on comedy makes it a disorganised and clustered collection of ideas, with only some of them landing. However, visually, it’s a Marvel. (See what I did there?). From an Asgard under attack to the new, dusty, junk planet of Sakaar, it’s a feast to the eyes. It’s also refreshing to see these heroes away from Earth for once for almost the entire run. As ‘Avengers: Infinity War’ looks to be centred around Earth, it was nice to get another cosmic adventure before everyone ends up back on our home turf. Speaking of space, I would be remiss to not mention the clear influence of James Gunn’s ‘Guardians of the Galaxy’ movies present here. While a winning formula for the Guardians, a focus on humour doesn’t land quite as well here, probably because the focus on the funny means that we don’t recognise our leads from their appearances in previous Avenger based romps. Some jokes are indeed excellent and had me laughing out loud, but Marvel in general needs to learn when to take itself seriously and this film is a prime example of not doing that.

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   From everything I’ve said, you probably think I didn’t enjoy ‘Thor: Ragnarok’ but I was thoroughly entertained by it. Putting aside that we were clearly watching ‘Bizzzaro’ versions of Thor, Hulk and Loki, the film does work in its own weird, surreal world. The action, as you’d expect from Marvel, is sensational and it looks the closest to reality that the studio has yet come. The tone is all around fun and if you just take it at face value, it is a lot of fun.It’s clear that everyone involved clearly had a blast making this one and that comes through in the actors performances. Ruffalo and Hemsworth have excellent chemistry and the addition of Tessa Thompson to the cast is welcome and adds a nice new dynamic that boring old Natalie Portman never did. The film also succeeds in presenting a decent villain, another struggle that the studio has fought with for years. Hera has wonderful menace and is presented as a threat on a completely different level to anything we’ve seen yet. Hell, even a living planet wasn’t able to accomplish the things she did, so kudos to the writing staff for that. As said, she does come off pretty hammy and Blanchett is clearly loving the chance to channel her inner Saturday morning cartoon villain. la-et-hc-thor-ragnarok-trailer-20170722-970x545-1

   Finally a mention of the score. In a similar vein to that Netflix tv show I’ve been so obsessed with lately, the film takes an 80’s synth approach to the score. Channeling its cheesy influences, it works well, and the use of Led Zeppelin’s ‘Immigrant Song’ is awesome and succeeds at pumping up the audience even further for key action scenes.

   All in all, if there was a word to describe ‘Thor: Ragnarok’, it’d be unconventional. It’s a surreal, exhilarating and fast paced thrill ride with stunning visuals and mostly solid humour and action. While MCU purists might be disgruntled by the odd characterisations presented in these strange versions of beloved existing characters, the charming script, strong score and consistently good acting, is enough to keep you invested. Waititi clearly understands Thor and doesn’t fall into the trap of previous instalments of feeling the need to dislodge Thor from his cosmic roots and instead create a ‘fish out of water’ story on Earth. Instead, he allows his title character to fully embrace the goofy side of Marvel’s cosmic universe and without giving anything away, actually ends up changing quite a bit of the mythos ahead of ‘Avengers; Infinity War’ next year. With the Russo brothers directing, I’m sure that the third ‘Avengers’ film will take a grittier and more dramatic tone than this movie and it will be interesting to see if the Hulk and Thor keep the new personality traits introduced. All in all, ‘Thor: Ragnarok’ breaks the mold; the most entertaining Thor by far.

★★★★

Avengers: Infinity War (2018) review

To quote a great fictional man, ‘there was an idea.’ Never has a movie quote been so appropriate in the context of an idea within its universe and the production of said universe in real life. The idea of establishing four lesser known comic book characters in their own movies that would be largely alien to a mainstream blockbuster audience only to bring them together in one singular event seemed to beg for disaster. But, in hindsight, what almost feels like projecting, the watchful one working eye of Nick Fury in universe and Kevin Feige in our reality both knew that this was a winning idea. As we know 2012’s ‘The Avengers’ was a sensational hit and quickly rose to become the third highest grossing film of all time. So what’s more mad than trying to set up a superhero film that juggles six protagonists, a functioning narrative and an effective villain? Well, how about throwing twenty plus main characters, a narrative that follows three different groups across the galaxy and a totally fresh villain that has no prior film establishment (I’m not counting three minutes in ‘Guardians of the Galaxy’ as extensive character building). If ‘The Avengers’ was a gamble, then ‘Avengers: Infinity War’ is Marvel throwing everything, quite literally, onto the table. With the exception of one shrinking Paul Rudd and a confused normal man who wondered onto set with a bow and arrow for some reason, literally everyone is present here. 

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So, big question: is it any good? Quite amazingly, by some alignment of the stars and the moons (we probably have Thanos to thank for that), this movie somehow manages to live up to the hype and also pay appropriate respect and homage to its previous ten year long legacy. Feige makes a decision worthy of the intellects of Bruce Banner, Shrui and Tony Stark combined by giving directing reigns over to the Russo Brothers, whose previous work for Marvel includes ‘Captain America: The Winter Soldier’ and ‘Captain America: Civil War’, otherwise known as two movies that are in literally everybody’s ‘Top five MCU films’ lists. The meandering pace, bizarre villain choices and tangents to set up for solo films from Whedon’s underwhelming ‘Age of Ultron’ are firmly abolished here, with the focus being where it should be: Josh Brolin’s Thanos. It has been an excellent year for Marvel villains, as they once again learn from past mistakes and give the ‘Mad Titan’ exactly the right amount of screen time and backstory necessary to make him thoroughly compelling and simultaneously hateable. The true mark of a great villain relies on two things; An understanding (not to be confused with agreement) of their motivations and an incredible on screen presence. The combination of the writing and Josh Brolin’s breath-taking performance achieve this in spades; I genuinely feared for the lives of my favourite characters whenever they came into contact with him.

Though the story is firmly told from the viewpoint of Thanos, the obvious appeal of the movie for any fanboy such as myself comes from the sheer number of heroes in one flick. In the hands of less competent directors, combining the Guardians of the Galaxy, the Avengers and the numerous subsequent heroes and side characters could’ve been more of a disaster than the DC movie universe (cheap shot, sorry.) Thankfully, all of your fAvengersInfinityWaravourite heroes are represented and almost all of them have witty lines and adequate roles to play to drive the story forward. That said, not all heroes are created equally and if I had one criticism, it would be a little too much reliance on the Guardians of the Galaxy and not quite enough love for the likes of core Avengers ‘Black Widow’ and ‘Captain America.’ This is of course a super minor nit-pick and with the state of the universe at the end of the film, I’m sure they’ll have much more prevalence in next years as of yet untitled ‘Avengers 4.’ But we’ll get to that ending later. My other nit-pick regards the generic evil henchmen- ‘The Black Order’ As you might expect, they don’t receive a huge amount of development and despite being pretty tough, are killed off without much consequence. As I say, another minor point as the main villain is so engaging and there is so, so much going on, but I feel that a bit more personality wouldn’t have gone amiss. 

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So if those are my two tiny problems, what did I like about the film? Honestly, nearly everything else. The now well established cast bring their ‘A game’ here, with everyone (except Elizabeth Olsen’s ‘Sokovian’ accent) being on point. Stand outs include Chris Hemsworth as Thor, who honestly just gets better in every movie he’s in. He not only nails the dramatic moments, but his comedic timing rivals even the greatest stand up artists at this point. ‘Sweet Rabbit’ is my new favourite thing and his interactions with the Guardians in general made the Marvel fan boy in my squeal with excitement as well as laugh. Tom Holland’s Peter Parker is also amazing here. I was one of the few not actually sold by ‘Spiderman: Homecoming’, but I’m totally on board following a soul destroyingly real death scene. Move over Toby; I have a new favourite Spidey. As I said, there are too many other characters to give individual praise to, but the interactions between our favourite characters weaved in with that trademark Marvel wit, make this a surprisingly humorous affair to begin with, that slowly sits you down and rips out your heart as it brutally murders your childhood heroes… 

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…we best start talking about that ending then. Despite a few early deaths, things seemed all good in the hood for most of the cast and I thought we’d wrap things up with Thanos in some intergalactic prison, with the emotional weight coming from the (very well done and suitably respectful and brutal) deaths of Loki, Gamora and Vision. Not so. After Thor stabs Thanos and he smirks with a reply of ‘you should’ve aimed for the head’, I knew this wasn’t going to be a happy ending. Thanos savagely rips the mind stone from Vision’s head and achieves his goal of wiping out half of the population of the universe. Yep; an MCU movie where the villain wins, without question. The death toll is more akin to the kind of body count Jason Vorehees or Michael Myers (not Austin Powers) tend to rack up; Star Lord, Groot, Drax, Mantis, Black Panther, Falcon, The Winter Soldier, Dr. Strange and even poor Spiderman are all kaput. The movie then ends on a dour note of hopelessness with a cliff-hanger more enticing than ‘Empire Strikes Back.’ It punches you in the gut and is the only Marvel movie to end with a solemn, quiet credits soundtrack to signify the severity of the situation. Now while that is all bleak, it is slightly undercut by the fact that the Marvel diary has already confirmed: ‘Guardians 3’, ‘Spiderman 2’, and ‘Black Panther 2’ post ‘Avengers 4.’ So while I’m sure no one seriously think these flagship characters were dead for good, it does slightly undercut the emotional weight of the scene. While Spidey’s death genuinely nearly got a tear out of me, I was at the same time relieved as I knew that meant this is likely to be undone. It leaves us in an interesting place though, as the remaining Avengers (by no accident) are the core members from phase one with the addition of Rhodey, a few Wakandans and one angry ‘Sweet Rabbit.’ The focus will undoubtedly be on the original team in the follow up and I for one, can’t wait for next summer to see the real conclusion.

 

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It should also be noted that this movie doesn’t waste time introducing newbies to the franchise; quite frankly it doesn’t have the time. It fully expects its audience to be up to date and have knowledge of all previous 18 (!) movies. This also applies to character development as the key dynamics between Tony Stark and Peter Parker for instance are far more compelling with the established relationship from previous flicks. I realise I’ve spent a lot of time talking about plot and not much else in this review, but its such an overwhelming experience that I feel a splurge of information from my brain is the best approach. Taking my fanboy hat off for a second though, it is worth noting the phenomenal production values and stylistic choices. The visuals are more ambitious than any film prior; even the insane, ‘Inception’ style visuals of ‘Dr. Strange’ are dwarfed by one cosmic set piece after another, with the effects highlight being an entire moon being lobbed at Iron Man. I was also very pleased to see the return of Alan Silverstri as composer, who has been absent from the MCU since ‘The Avengers.’ As the composer of easily the most iconic tune in the franchise, it was great to hear his bold, heroic, hype inducing score make a triumphant return here to signal strong character moments. This, balanced with the ominous drone composed as the theme for Thanos really added a lot of weight to the film. One minor (very nerdy) nit-pick, is that I would’ve loved to have heard a reprise of Tyler Bates’ equally excellent motif for the Guardians of the Galaxy when they made their appearance. Motifs are severely lacking in the MCU and it would’ve been equally good to have heard the familiar fanfares for Iron Man and Captain America established previously.

So in conclusion, ‘Avengers: Infinity War’ is about as amazing a comic book movie that you could ask for. It felt like a true crossover ‘event comic’ come to life. While I still feel that ‘The Dark Knight’, with its compelling themes, complex characters and Oscar worthy acting will always reign supreme as the greatest comic book movie, this movie achieves the seemingly impossible task of juggling so many characters, bringing the pages of a comic book to life and, perhaps most impressively of all, being a satisfying first part of a conclusion to ten years of hype. While it won’t make any great shakes in the Oscars or as a piece of high brow cinema, it isn’t trying to. It knows what it is; a smart action blockbuster and a reward for comic book fans everywhere who have followed and supported Marvel eagerly for the past ten years. Now they have the equally daunting task of finding a satisfying way to conclude this monster of a story. But with Feige, the Russo brothers and the rest of Marvel Studios at the helm, I have every faith that it will just as exhilarating, hilarious and satisfying as this was.

★★★★★

Also pleeeeease, please can this film beat ‘Titanic’ and ‘Avatar’ at the box office? I’d kill to see the look on James Cameron’s pretentious, smug, comic book hating face.

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